Go Insane

Lindsey Buckingham - Go Insane

From the album "Go Insane," 1984

Tabulated by Reed Peterson

*Standard Tuning*

CHORDS

C#maj7 Cm7 Fm D#

e|---4--- e|---3--- e|---8--- e|---6---

B|---6--- B|---4--- B|---9--- B|---8---

G|---5--- G|---3--- G|---10-- G|---8---

D|---6--- D|---5--- D|---10-- D|---8---

A|---4--- A|---3--- A|---8--- A|---6---

E|---4--- E|---3--- E|---8--- E|---6---

INTRO - Strum out the progression . . .

[C#maj7 Cm7 Fm D# Fm] X4

VERSE 1

Fm D# Fm

Two kinds of people in this world

Fm D# Fm

Winners; losers

Fm D# Fm

I lost my power in this world

Fm D# Fm

'Cause I did not use it

CHORUS 1

C#maj7 Cm7 Fm D# Fm

So I go insane

C#maj7 Cm7 Fm D# Fm

Like I always do

C#maj7 Cm7 Fm D# Fm

And I call your name

C#maj7 Cm7 Fm D# Fm

She's a lot like you

VERSE 2

Fm D# Fm

Two kinds of trouble in this world

Fm D# Fm

Livin'; dyin'

Fm D# Fm

I lost my power in this world

Fm D# Fm

And the rumors are flyin'

CHORUS 2

C#maj7 Cm7 Fm D# Fm

So I go insane

C#maj7 Cm7 Fm D# Fm

Like I always do

C#maj7 Cm7 Fm D# Fm

And I call your name

C#maj7 Cm7 Fm D# Fm

She's a lot like you

C#maj7 Cm7 Fm D# Fm

Yes, I go insane

C#maj7 Cm7 Fm D# Fm

Like I always do

C#maj7 Cm7 Fm D# Fm

And I call your name

C#maj7 Cm7 Fm D# Fm

She's a lot like you

ODD INTERLUDE - This happens immediately after the second chorus; a bunch of interesting

sound effects are applied over the basic chord progression of the song. As in "INTRO,"

strum out . . .

[C#maj7 Cm7 Fm D# Fm] X4

FINAL CHORUS

C#maj7 Cm7 Fm D# Fm

So I go insane

C#maj7 Cm7 Fm D# Fm

Like I always do

C#maj7 Cm7 Fm D# Fm

And I call your name

C#maj7 Cm7 Fm D# Fm

She's a lot like you

C#maj7 Cm7 Fm D# Fm

Yes, I go insane

C#maj7 Cm7 Fm D# Fm

Like I always do

C#maj7 Cm7 Fm D# Fm

And I call your name

C#maj7 Cm7 Fm D# Fm

She's a lot like you

C#maj7 Cm7 Fm D# Fm

She's a lot like you

C#maj7 Cm7 Fm D# Fm

She's a lot like you

OUTRO - This happens immediately after Lindsey's last "She's a lot like you." Just strum

out the chord progression of "INTRO" and "INTERLUDE" over and over again, until the song

fades out.

NOTE: It sounds as if multiple guitar parts were overlayed in the recording - for

example, during "INTRO," the chord "Fm" may be heard in addition to every "Cmaj7."

The sound is delightfully "liquidy."